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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Andy Thomas

The Final Frontier

Magazine article by Magda Keaney, 2002

Magda Keaney talks with Montalbetti+Campbell about their photographic portrait of Australian astronaut Andy Thomas.

Portrait 5

September - November 2002
Magazine

This issue of Portrait Magazine features Bill Leak's portrait of Robert Hughes, Polly Borland's photographs, Bill Brandt, Andy Thomas, Tracey Moffatt and more.

Ursus sitting, 1931

Two pair

Magazine article by Dr Jacqui Strecker, 2008
Stuttgart's Art Museum is showing Otto Dix portraits alongside artists from Lucas Cranach to Andy Warhol.
Clive James

Golden Jubilee

Magazine article by Magda Keaney, 2002

Polly Borland's photograph of The Queen was commissioned by Buckingham Palace as part of a series of high profile celebrations to mark the Golden Jubilee.

Dorothy Porter

Beautiful bones

Magazine article by Dr Sarah Engledow, 2011

Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.

Scott Redford: Introducing
Reinhardt Dammn

Surfer artist rockstar

Magazine article by Dr Christopher Chapman, 2011

Christopher Chapman talks with Scott Redford about his character Reinhardt Dammn.

Karee Kayvon, 2006

Virtual lives

Magazine article by Gillian Raymond, 2007

A brief introduction to the Weird, Wired World of Internet Portraiture.

Guns and roses, 2006

Obey

Magazine article by Michael Desmond, 2009

Michael Desmond investigates the street art of Shepard Fairey, who was catapulted to fame during the 2008 presidential election with his resonant image of Barack Obama.

Karen Gillan, 2010

Hot Scots

Magazine article by Christopher Baker, 2013

James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.

L. Gordon Darling AC CMG

Portrait of a patron

Magazine article by Dr Sarah Engledow, 2007

A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.

Chet Baker, singer, New York City, January 16, 1986 by Richard Avedon

The existential lens

Magazine article by Stephen Zagala, 2013

Stephen Zagala discusses Richard Avedon’s work from an Australian perspective.

Sir Macfarlane Burnet

Picture this...

Magazine article by Andrew Sayers AM, 2003

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.

Camouflage self portrait, 1986

Hide/Seek

Magazine article by David Ward, 2010

David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.

Cadel Evans

Winning in technicolor

Magazine article by Alistair McGhie, 2009

Alistair McGhie writes about the portraits of three of Australia's top professional cyclists: Cadel Evans, Stuart O'Grady and Robbie McEwen painted by Matthys Gerber.

Travis Giles, Fitzroy, Melbourne, Australia, 2010 by Nikki Toole

Mind and body

Magazine article by Dr Christopher Chapman, 2012

Christopher Chapman interviews photographer Nikki Toole about her bold and controlled portraits of skateboarders in the exhibition Skater.

Michael Leunig

The Philosophy of Teapots and Ducks

Magazine article by Gillian Raymond, 2005

Cartoonist Michael Leunig's insights into the human condition and current affairs have become famous Australia-wide.

Solo flight, 1977

Moving pictures

Magazine article by Dr Christopher Chapman, 2008

The exhibition California Video at the J Paul Getty Museum in Los Angeles demonstrated how video artists expand the boundaries of portraiture.

George Tjungurrayi

Two painters

Magazine article by Dr Christopher Chapman, 2007

Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.

"Just what is it that makes today's homes so different, so appealing?", 1956

Pop goes the preconception

Magazine article by Paul Moorhouse, 2007

A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.

Damon, singer, 2000 by Julian Opie

Movement is my radar

Magazine article by Michael Desmond, 2015

Michael Desmond charts the path of portraiture, arriving at Julian Opie’s digital realm.

Bee Miles

Good, bad and the ugly

Magazine article by Michael Desmond, 2007

Michael Desmond explores what makes a portrait subject significant.

Jim Cobb at Chroma factory Mt Kuring-gai, NSW, 2017 by Mark Mohell

The alchemist’s profile

Magazine article by John Zubrzycki, 2017

John Zubrzycki meets Australian paint pioneer Jim Cobb.

Howard Taylor

Reflections on portraiture

Magazine article by Andrew Sayers AM, 2004

An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.

Self portrait, 1980 
Alice Neel

Hard truths

Magazine article by Jennifer Higgie, 2022

Jennifer Higgie reveals how Alice Neel reinvigorated 20th century portraiture with her honest and perceptive depictions of the human experience.

Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.

Lady Jane Grey, c.1590-1600 (also known as The ‘Streatham’ portrait) Artist unknown

The Royal she

Magazine article by Inga Walton, 2019

Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency